HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's fascinated by how photographers create, considering the fact that he's legally blind./ He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. But when you look at what C1 can do, you’re shocked.Ĭhris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. Jamie MacDonald is an Olympus Visionary and a contributor to this site and I’ve introduced him to the Capture One 10 lens profiles for Olympus which Lightroom doesn’t have, simply because the profiles are generally just baked into Olympus’ RAW files. Then there’s the bigger part: their actual RAW file rendering coupled with their lens profiles. Certain things aren’t so simple or straightforward though: like how cloning an area out of a scene requires you to add a clone layer and then draw a mask over said area–then adjusting and moving accordingly. Picking, rating, and color coding is also still there but with picking what I tend to do is just sort by red or green, then edit my green flagged photos. The import process is pretty much the same and you’re also still using catalogs. If you’re a Capture One 10 user, this is going to sound absolutely familiar.Ĭapture One 10 has all this and a lot more. Applying a camera profile, then setting up lens adjustments, then specific color tuning, and then curves,and more global changes afterwards, providing that I’ve metered my scene correctly. Instead, I start from the bottom and make my way up. Most folks, when they go to the development panel, end up working from the basic section and moving all the way down. The company hasn’t offered a major update for it in a while, it’s always slow, and it’s kind of backwards in how things work–at least once you think more about color theory and the way you edit.Ĭapture One 10 is a whole lot more complicated, but it also kind of sections off a specific workflow for you in a way that I was mostly doing anyway in Lightroom. But now after months of working in it, I’m not exactly sure how I could possibly go back to Adobe Lightroom. He took off into it before I did, discovered a whole lot of really cool things, told me about it, and I dove deeper in. A few months back, Digital Photo Pro Editor, David Schloss (yes, a lot of us are actually friends in real life), and I made a pact to move onto Capture One 10.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |